{"id":672,"date":"2017-03-29T00:03:18","date_gmt":"2017-03-28T22:03:18","guid":{"rendered":"https:\/\/www.jeanfrancoiscabestan.com\/archicab\/?p=672"},"modified":"2021-07-17T14:26:38","modified_gmt":"2021-07-17T12:26:38","slug":"journee-detude-6","status":"publish","type":"post","link":"https:\/\/www.jeanfrancoiscabestan.com\/archicab\/journees-detude\/jardins-prives-parisiens-xvii-xxie-siecles\/2017\/03\/29\/journee-detude-6\/","title":{"rendered":"Jardins priv\u00e9s parisiens XVII-XXIe si\u00e8cles"},"content":{"rendered":"<h1>Journ\u00e9e d&rsquo;\u00e9tude du 29 mars 2017<\/h1>\n<blockquote><p>JARDINS PRIV\u00c9S PARISIENS XVII-XXIE SI\u00c8CLES<br \/>\nLe 29 mars 2017<br \/>\n\u00e0 l&rsquo;INHA (Institut National d&rsquo;Histoire de l&rsquo;Art)<br \/>\n2, rue Vivienne, Paris 2e arrt<br \/>\nsalle Vasari, 1er \u00e9tage, entr\u00e9e libre<\/p><\/blockquote>\n<ul>\n<li><a href=\"https:\/\/www.jeanfrancoiscabestan.com\/archicab\/wp-content\/uploads\/jardins-prives-parisiens\/p1_programme_jardins_prives_XVII_XXIe_siecles.pdf\" target=\"_blank\" rel=\"noopener\">Programme de la journ\u00e9e d&rsquo;\u00e9tude<\/a> (pdf)<\/li>\n<\/ul>\n<h2>Pi\u00e8ces \u00e0 conviction<\/h2>\n<h3>4 articles de Monique Mosser<\/h3>\n<ul>\n<li><a href=\"https:\/\/www.jeanfrancoiscabestan.com\/archicab\/wp-content\/uploads\/jardins-prives-parisiens\/p2_m_mosser_vo.pdf\" target=\"_blank\" rel=\"noopener\">Monique Mosser, \u00ab L\u2019introduzione del pittoresco nella citt\u00e0 : giardini privati a Parigi nel XVIII secolo \u00bb \u00ab The Introduction of the Picturesque into the City ; Private Gardens in Paris in the 18th Century \u00bb in <em>Lotus International<\/em>, n\u00b030, 1981, p. 29-38.<\/a> (pdf)<\/li>\n<li><a href=\"https:\/\/www.jeanfrancoiscabestan.com\/archicab\/wp-content\/uploads\/jardins-prives-parisiens\/p3_m_mosser_vf.pdf\" target=\"_blank\" rel=\"noopener\">Monique Mosser, \u00ab Jardins priv\u00e9s \u00e0 Paris au XVIIIe si\u00e8cle : la ville et l\u2019inscription du pittoresque \u00bb, texte original fourni par l\u2019auteure, publi\u00e9 en italien et en anglais dans<em> Lotus International<\/em>, n\u00b030, 1981, p. 29-38.<\/a> (pdf)<\/li>\n<li><a href=\"https:\/\/www.jeanfrancoiscabestan.com\/archicab\/wp-content\/uploads\/jardins-prives-parisiens\/p4_pa_paris.pdf\" target=\"_blank\" rel=\"noopener\">Monique Mosser, \u00ab Paysage du Grand Tour et imaginaire des jardins : Pierre-Adrien P\u00e2ris, \u00ab jardineur \u00bb \u00bb, in <em>Polia, revue de l\u2019art des Jardins<\/em>, n\u00b0 10, automne 2008, p. 65-100.<\/a> (pdf)<\/li>\n<li><a href=\"https:\/\/www.jeanfrancoiscabestan.com\/archicab\/wp-content\/uploads\/jardins-prives-parisiens\/p5_mosser_pour_rabreau.pdf\" target=\"_blank\" rel=\"noopener\">Monique Mosser, \u00ab Hort\u00e9sie architecte : de quelques espaces narratifs du d\u00e9sir \u00bb in <em>Les Arts R\u00e9unis. \u00c9tudes offertes \u00e0 Daniel Rabreau<\/em>, dir. Janine Barrier, Claire Ollagnier et Josiane Sartre, Nouvelles \u00c9ditions Latines, Paris, 2017, p. 353-367.<\/a> (pdf)<\/li>\n<\/ul>\n<h3>\u00c9v\u00e9nement \u00e9ditorial : \u00ab La Stazione Zoologica Di Napoli \u00bb<\/h3>\n<figure id=\"attachment_684\" aria-describedby=\"caption-attachment-684\" style=\"width: 256px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.jeanfrancoiscabestan.com\/archicab\/wp-content\/uploads\/jardins-prives-parisiens\/p7_r_florio_stazioneultimabozza_couv.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-684 size-medium\" src=\"https:\/\/www.jeanfrancoiscabestan.com\/archicab\/wp-content\/uploads\/jardins-prives-parisiens\/p7_r_florio_stazioneultimabozza_couv-256x300.jpg\" alt=\"\" width=\"256\" height=\"300\" srcset=\"https:\/\/www.jeanfrancoiscabestan.com\/archicab\/wp-content\/uploads\/jardins-prives-parisiens\/p7_r_florio_stazioneultimabozza_couv-256x300.jpg 256w, https:\/\/www.jeanfrancoiscabestan.com\/archicab\/wp-content\/uploads\/jardins-prives-parisiens\/p7_r_florio_stazioneultimabozza_couv-768x899.jpg 768w, https:\/\/www.jeanfrancoiscabestan.com\/archicab\/wp-content\/uploads\/jardins-prives-parisiens\/p7_r_florio_stazioneultimabozza_couv-875x1024.jpg 875w, https:\/\/www.jeanfrancoiscabestan.com\/archicab\/wp-content\/uploads\/jardins-prives-parisiens\/p7_r_florio_stazioneultimabozza_couv.jpg 1000w\" sizes=\"(max-width: 256px) 100vw, 256px\" \/><\/a><figcaption id=\"caption-attachment-684\" class=\"wp-caption-text\">Riccardo Florio, L&rsquo;Architettura delle idee. <i>La Stazione Zoologica Anton Dohrn di Napoli<\/i>, ArtstudioPaparo, Napoli, 2016. 531p.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Journ\u00e9e d&rsquo;\u00e9tude du 29 mars 2017 JARDINS PRIV\u00c9S PARISIENS XVII-XXIE SI\u00c8CLES Le 29 mars 2017 \u00e0 l&rsquo;INHA (Institut National d&rsquo;Histoire de l&rsquo;Art) 2, rue Vivienne, Paris 2e arrt salle Vasari, 1er \u00e9tage, entr\u00e9e libre Programme de la journ\u00e9e d&rsquo;\u00e9tude (pdf) Pi\u00e8ces \u00e0 conviction 4 articles de Monique Mosser Monique Mosser, \u00ab L\u2019introduzione del pittoresco nella [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":905,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[35],"tags":[],"_links":{"self":[{"href":"https:\/\/www.jeanfrancoiscabestan.com\/archicab\/wp-json\/wp\/v2\/posts\/672"}],"collection":[{"href":"https:\/\/www.jeanfrancoiscabestan.com\/archicab\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.jeanfrancoiscabestan.com\/archicab\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.jeanfrancoiscabestan.com\/archicab\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jeanfrancoiscabestan.com\/archicab\/wp-json\/wp\/v2\/comments?post=672"}],"version-history":[{"count":4,"href":"https:\/\/www.jeanfrancoiscabestan.com\/archicab\/wp-json\/wp\/v2\/posts\/672\/revisions"}],"predecessor-version":[{"id":682,"href":"https:\/\/www.jeanfrancoiscabestan.com\/archicab\/wp-json\/wp\/v2\/posts\/672\/revisions\/682"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.jeanfrancoiscabestan.com\/archicab\/wp-json\/wp\/v2\/media\/905"}],"wp:attachment":[{"href":"https:\/\/www.jeanfrancoiscabestan.com\/archicab\/wp-json\/wp\/v2\/media?parent=672"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.jeanfrancoiscabestan.com\/archicab\/wp-json\/wp\/v2\/categories?post=672"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.jeanfrancoiscabestan.com\/archicab\/wp-json\/wp\/v2\/tags?post=672"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}