{"id":1181,"date":"2023-04-05T00:01:23","date_gmt":"2023-04-04T22:01:23","guid":{"rendered":"https:\/\/www.jeanfrancoiscabestan.com\/archicab\/?p=1181"},"modified":"2023-06-21T10:42:06","modified_gmt":"2023-06-21T08:42:06","slug":"videos-7","status":"publish","type":"post","link":"https:\/\/www.jeanfrancoiscabestan.com\/archicab\/causes-patrimoniales\/jardins-de-pierre-ruines-vestiges-et-traces-en-milieu-urbain\/2023\/04\/05\/videos-7\/","title":{"rendered":"Videos"},"content":{"rendered":"\n<h1 class=\"wp-block-heading\"><strong>Journ\u00e9e d\u2019\u00e9tude du mercredi 5 avril 2023<\/strong><\/h1>\n\n\n\n<p>en partenariat entre l\u2019HiCSA de Paris 1 et le master \u00ab&nbsp;Jardins historiques, patrimoine et paysage de l\u2019\u00c9NSA de Versailles<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Accueil et introduction par les organisateurs<strong>&nbsp;<\/strong><br><strong>Jean-Fran\u00e7ois Cabestan&nbsp;<\/strong>et<strong>&nbsp;St\u00e9phanie de Courtois :<\/strong><\/h2>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"J.-Fr. Cabestan et St\u00e9phanie de Courtois\" width=\"1140\" height=\"641\" src=\"https:\/\/www.youtube.com\/embed\/k9ZUL5mLyqc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Matin\u00e9e : Ruines, vestiges et traces&nbsp;: typologie des mises en valeur<\/strong> Pr\u00e9sidente de s\u00e9ance :&nbsp;<strong>St\u00e9phanie de Courtois<\/strong><\/h2>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Caroline Millot<\/strong>, Docteure en hist. de l\u2019art, anc. laboratoire ARTopos&nbsp;: <em>N\u00eemes, le cas singulier des Jardins de la Fontaine, par l\u2019ing\u00e9nieur Jacques-Philippe Mareschal (1741-1774)<\/em><\/h3>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Caroline Millot, Docteure en hist. de l\u2019art, anc. laboratoire ARTopos\" width=\"1140\" height=\"641\" src=\"https:\/\/www.youtube.com\/embed\/NMYEAY5IPiI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Corrado de Giuli Morghen<\/strong>, architecte, co-g\u00e9rant de Fabrica Traceorum :&nbsp;<em>Le port antique de Marseille ou le projet paysager au service de la m\u00e9diation arch\u00e9ologique<\/em><\/h3>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Corrado de Giuli Morghen, architecte, co-g\u00e9rant de Fabrica Traceorum\" width=\"1140\" height=\"641\" src=\"https:\/\/www.youtube.com\/embed\/CXNd5Dja8Tc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Paul Barnoud<\/strong>, architecte en chef des Monuments historiques&nbsp;: <em>les cas de Vienne, de la Charit\u00e9-sur-Loire et du mus\u00e9e de Cluny \u00e0 Paris<\/em><\/h3>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Paul Barnoud, architecte en chef des Monuments historiques\" width=\"1140\" height=\"641\" src=\"https:\/\/www.youtube.com\/embed\/2ZBnWr0NdMI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Christophe Amsler<\/strong>, architecte, Lausanne (CH)&nbsp;: <em>Avenches, l\u2019amphith\u00e9\u00e2tre de la ville et de la campagne<\/em><\/h3>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Christophe Amsler, architecte, Lausanne (CH)\" width=\"1140\" height=\"641\" src=\"https:\/\/www.youtube.com\/embed\/69c7zLVozxQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Table ronde 1 : Fouilles arch\u00e9ologiques, de la contemplation m\u00e9ditative \u00e0 l\u2019int\u00e9gration paysag\u00e8re<\/strong><\/h3>\n\n\n\n<p>Anim\u00e9e par J.-Fr. Cabestan&nbsp;et St\u00e9phanie de Courtois<\/p>\n\n\n\n<p>Dans l\u2019ordre d\u2019apparition des intervenants et du public&nbsp;:<\/p>\n\n\n\n<ul><li><strong>Chlo\u00e9 Demonet<\/strong>, historienne de l\u2019art<\/li><li><strong>Florence Babics<\/strong>, architecte du Patrimoine, \u00c9cole de Chaillot<\/li><li><strong>Benjamin Mouton<\/strong>, architecte en chef des Monum<sup>ts<\/sup> historiques<\/li><li><strong>Jean-Michel Leniaud<\/strong>, historien, ancien directeur de l\u2019\u00c9cole des Chartes<\/li><li><strong>Corrado de Giuli Morghen<\/strong>, architecte, co-g\u00e9rant de Fabrica Traceorum<\/li><li><strong>Nicolas Detry<\/strong>, architecte, Ensa de Clermont-Ferrand<\/li><li><strong>Paul Barnoud<\/strong>, architecte en chef des Monuments historiques&nbsp;<\/li><li><strong>Eug\u00e9nie Duchez<\/strong>, architecte-paysagiste, ancienne du JHPP<\/li><li><strong>Fran\u00e7ois de Lisle<\/strong>, entrepreneur du patrimoine, \u00e9tudiant du JHPP<\/li><li><strong>Christophe Amsler<\/strong>, architecte, Lausanne (CH)<\/li><\/ul>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Table ronde : Fouilles arch\u00e9ologiques, de la contemplation m\u00e9ditative \u00e0 l\u2019int\u00e9gration paysag\u00e8re\" width=\"1140\" height=\"641\" src=\"https:\/\/www.youtube.com\/embed\/m9T8uDYCbWk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Apr\u00e8s-midi : Intervention dans un environnement stratifi\u00e9 donn\u00e9<\/strong><br>pr\u00e9sident de s\u00e9ance :&nbsp;J.-Fr. Cabestan, Paris 1<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Susanna Pasquali<\/strong>, historienne de l\u2019architecture, La Sapienza, Rome&nbsp;: <em>Le projet de Louis-Martin Berthault et de Guy de Gisors pour le jardin du Capitole<\/em><\/h2>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Susanna Pasquali, historienne de l\u2019architecture, La Sapienza, Rome\" width=\"1140\" height=\"641\" src=\"https:\/\/www.youtube.com\/embed\/biEJbQ5hcZU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Daniele Campobenedetto<\/strong>, architecte, enseignant au Politecnico de Turin : <em>Le Parc Dora et autres cas turinois<\/em><\/h2>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Daniele Campobenedetto, architecte, enseignant au Politecnico de Turin\" width=\"1140\" height=\"641\" src=\"https:\/\/www.youtube.com\/embed\/bCrCYMjUKNs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Alain Schnapp<\/strong>, historien et arch\u00e9ologue, ancien directeur de l\u2019INHA&nbsp;: <em>Les ruines, de l&rsquo;Orient ancien aux Lumi\u00e8res<\/em><\/h3>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Alain Schnapp, historien et arch\u00e9ologue, ancien directeur de l\u2019INHA\" width=\"1140\" height=\"641\" src=\"https:\/\/www.youtube.com\/embed\/Oljr7hwnHn8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>15h45-16h30 &nbsp;Table ronde 2 :&nbsp;Utilisation, instrumentalisation et d\u00e9tournement de la substance historique \u00e0 des fins paysag\u00e8res<\/strong><\/h3>\n\n\n\n<p>Anim\u00e9e parJ.-Fr. Cabestan et&nbsp;St\u00e9phanie de Courtois.<\/p>\n\n\n\n<p>Dans l\u2019ordre d\u2019apparition des intervenants et du public&nbsp;:<\/p>\n\n\n\n<ul><li><strong>Jean-Fran\u00e7ois Cabestan<\/strong>, Paris 1<\/li><li><strong>Paul Zalewski<\/strong>, Professor at the European University Viadrina in Frankfurt\/O<\/li><li><strong>Nicolas Detry<\/strong>, architecte, Ensa de Clermont-Ferrand<\/li><li><strong>\u00c9tienne L\u00e9na<\/strong>, architecte, Ensa de Paris-Val de Seine<\/li><li><strong>St\u00e9phanie de Courtois<\/strong>, directrice du JHPP, Ensa de Versailles<\/li><li><strong>Daniele Campobenedetto<\/strong>, architecte, enseignant au Politecnico de Turin<\/li><li><strong>Paul Barnoud<\/strong>, architecte en chef des Monuments historiques&nbsp;<\/li><li><strong>Alain Schnapp<\/strong>, historien et arch\u00e9ologue, ancien directeur de l\u2019INHA<\/li><li><strong>Jean-Michel Leniaud<\/strong>, historien, ancien directeur de l\u2019\u00c9cole des Chartes<\/li><li><strong>Corrado de Giuli Morghen<\/strong>, architecte, co-g\u00e9rant de Fabrica Traceorum<\/li><\/ul>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Table ronde :  Utilisation, instrumentalisation et d\u00e9tournement de la substance historique...\" width=\"1140\" height=\"641\" src=\"https:\/\/www.youtube.com\/embed\/umYPDBmcbK0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Journ\u00e9e d\u2019\u00e9tude du mercredi 5 avril 2023 en partenariat entre l\u2019HiCSA de Paris 1 et le master \u00ab&nbsp;Jardins historiques, patrimoine et paysage de l\u2019\u00c9NSA de Versailles Accueil et introduction par les organisateurs&nbsp;Jean-Fran\u00e7ois Cabestan&nbsp;et&nbsp;St\u00e9phanie de Courtois : Matin\u00e9e : Ruines, vestiges et traces&nbsp;: typologie des mises en valeur Pr\u00e9sidente de s\u00e9ance :&nbsp;St\u00e9phanie de Courtois Caroline Millot, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1183,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[39],"tags":[],"_links":{"self":[{"href":"https:\/\/www.jeanfrancoiscabestan.com\/archicab\/wp-json\/wp\/v2\/posts\/1181"}],"collection":[{"href":"https:\/\/www.jeanfrancoiscabestan.com\/archicab\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.jeanfrancoiscabestan.com\/archicab\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.jeanfrancoiscabestan.com\/archicab\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jeanfrancoiscabestan.com\/archicab\/wp-json\/wp\/v2\/comments?post=1181"}],"version-history":[{"count":2,"href":"https:\/\/www.jeanfrancoiscabestan.com\/archicab\/wp-json\/wp\/v2\/posts\/1181\/revisions"}],"predecessor-version":[{"id":1184,"href":"https:\/\/www.jeanfrancoiscabestan.com\/archicab\/wp-json\/wp\/v2\/posts\/1181\/revisions\/1184"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.jeanfrancoiscabestan.com\/archicab\/wp-json\/wp\/v2\/media\/1183"}],"wp:attachment":[{"href":"https:\/\/www.jeanfrancoiscabestan.com\/archicab\/wp-json\/wp\/v2\/media?parent=1181"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.jeanfrancoiscabestan.com\/archicab\/wp-json\/wp\/v2\/categories?post=1181"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.jeanfrancoiscabestan.com\/archicab\/wp-json\/wp\/v2\/tags?post=1181"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}